I began leaving envelopes in public spaces, each containing a question that occupied my mind, hoping for
a response from someone I had never met. During a period of doubt, strangers shared experiences, stories, new insights...
I noticed the increasing vulnerability and intimacy; people opened up
to me, and I could open up too. Through this experience, I started
appreciating the uncertainty of unanswered questions. Waiting became part
of the process, creating a space for reflection, patience, and meaningful
interaction. During the project, an anonymous exchange eventually
turned into a friendship.
photos by Martin Gobert
A selection of posters (and an invitation) for various exhibitions (group exhibition The coldest day of the year, solo-exhibition partial coverage by Baroeg Mulder, group exhibition Full Pivot) curated by the servers, happening mostly in the Hague (NL), also in Helsinki (FI).
Since the launch of minor moons’ library, 100+ membership cards have been produced for visitors. Each card was riso-printed, then personalized through a series of bureaucratic steps. Their name was written on a typewriter, the date was stamped on, the visitor signed, glued in their portrait and finally laminated.
This bureaucratic procedure reenacted traditional library systems and the processes through which access to institutional spaces is granted.
design in collaboration with Luna Konings
Bisous Amiens is an artist's book by Martin Gobert, consisting of photographs taken with his phone while revisiting his hometown. The publication follows a simple, amateur approach to layout and production. Printed with a modified home printer found in Amiens, then stapled by hand. Hand-drawn calligraphy on the front cover turned into a stamp and applied by hand.
A4, 48 pages, edition of 19.
photos by Martin Gobert
Looking Backwards So We Might See The Cracks Beneath Our Feet, or Ripping Out The Floorboards or Digging For The Forgotten is a compilation of theses by the 2025
graduating students of
TXT, the Textile Department at the Gerrit Rietveld
Academie. The publication explores the relationship between text, texture,
and materiality. Printed with
Stencilwerck in flat gold.
A5, 248 pages, edition of 50.
commissioned by the Textile Department of the Gerrit Rietveld Academie
This publication contains a collection of essays, articles, and stories investigating semiotics and language, specifically the processes through which meaning is produced. The work was created in collaboration with Antonia Klimsza, Iben Hegreberg, and Idil Alpa.
This poster was made for Ran's Kantine’s special dinner centered around an entire menu of stuffed dishes.